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Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium de Edith Hall,Fiona MacIntosh,Amanda Wrigley

Descripción - Críticas Hall's 46-page introduction to the volume is one of the best pieces that have been written so far in the area of Reception Studies of classical texts, and ought to be mandatory reading for anyone interested in this area. (Martin Revermann, Journal of Hellenic Studies)...a major contribution to the year's work (Year's Work in Critical and Cultural Theory)...reveals a wealth of understanding concerning the ways Greek tragedy has been read, received, interpreted and shared in recent decades, and points the way forward to other studies in this ever-increasing field. (C.W. Marshall, The Classical Review)The quality of the contributions is uniformly high ... The range of methods is appealingly wide, providing readers with fascinating material ... Collectively, the volume gives an extremely stimulating up-to-date account of Greek tragedy in the last thirty or forty years ... deserves a wide readership ... The writing is accessible; illustrations are well selected ... index and bibliography are very detailed. (The Journal of Classics Teaching) Reseña del editor Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization. Biografía del autor Edith Hall is Leverhulme Professor of Greek Cultural History at the University of Durham and Co-Director of the Archive of Performances of Greek and Roman Drama, University of Oxford Fiona Macintosh is Senior Research Fellow at the Archive of Performances of Greek and Roman Drama, University of Oxford Amanda Wrigley is Researcher at the Archive of Performances of Greek and Roman Drama, University of Oxford

Detalles del Libro

  • Name: Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium
  • Autor: Edith Hall,Fiona MacIntosh,Amanda Wrigley
  • Categoria: Libros,Literatura y ficción,Historia, teoría literaria y crítica
  • Tamaño del archivo: 12 MB
  • Tipos de archivo: PDF Document
  • Descargada: 253 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


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Dionysus since 69 - Paperback - Edith Hall; Fiona ~ Dionysus since 69 Greek Tragedy at the Dawn of the Third Millennium Edited by Edith Hall, Fiona Macintosh, and Amanda Wrigley. Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This lavishly illustrated book is the first attempt fully to document and explain its revival.

: Edith Hall: Libros ~ 50,69 € 50,69 € 82,90 € 82,90€ Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium by Edith Hall (2004-01-08) de Edith Hall;Fiona MacIntosh / 1 enero 1788

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Resena Lorna Hardwick / Descolonización / Teatro ~ Hardwick, Lorna (2004). Greek drama and anti-colonialism: de-colonising classics. In: Hall, E.; Macintosh, F. and Wrigley, A. eds. Dionysus since 69: Greek tragedy at the dawn of the third millennium. Oxford, UK: Oxford University Press, pp. 219–242. El libro al que pertenece el capítulo a reseñar reune varios ensayos sobre el papel del teatro griego en las últimas décadas del siglo XX.

Dall'archivio di ateatro ~ Greek Tragedy at the Dawn of the Third Millennium, ovvero Dioniso dopo il 69. La tragedia greca all’alba del terzo millennio (Oxford University Press, 2004). La locandina di I gladiatori dell'anno 3000 (1977), regia di Allan Arkush e Henry Suso.

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